6.2001
The Cautions (Cover
Story Interview)
By Bill
Copeland
Metronome Magazine
What a difference a year
makes. When Providence singer and guitarist Eric Barao heard
that his old college buddy Jeff Caglarcan's band January was
breaking up, he knew the time was right to start working with
him. So Barao suggested to Caglarcan, who played lead guitar
with January, to start writing some songs together. That was
February of last year. In March of this year, The Cautions held
sold-out CD release parties in both Boston and Providence to
promote their humor loaded debut album.
"Our first CD release party was in Boston. We had a great
response. The Green Room was good. We got a positive response.
People bought CD's after the show. That's when the promotion
side of me takes over and I say our website is www.thecautions.com."
The boys play up the humor of the lyrics by calling themselves
cautions, which at one time was slang for someone with a taste
for tarty puns and jokes. "Cautions is an old fashioned
phrase for wiseguy or joker. Our lyrics have sort of a strong
sense of humor," Barao said. "We have a lot of tongue
in cheek jokes. My grandmother used to use the expression, so
I would hear it a lot when I was a kid. We thought it would make
a nice tie in."
Many of the humorous anecdotes in their lyrics are based on real
life experiences. "The come from people I know, things people
say to me. I'm a good listener," Barao explained. "I
listen to people more than I talk to them. I believe in the school
of thought that you learn more by keeping your mouth shut and
your ears open. Songwriting is sort of a self-therapy for me.
If I'm dealing with a problem in my life, I write a story or
song about it."
Caglarcan echoed Barao's sentiments, saying his lyrics too come
from real life experiences, in a round about way. "They're
about things that happen to me or my friends," the guitarist
said. "I try to be sincere even though the songs sometimes
seem silly sounding." Caglarcan's song "Coffee shop
Girl" is a case in point. Focused on a young man's infatuation
with a girl working in a coffee bar, the song is chock full of
coffee images: "Juan Valdez would be very proud / Of how
well she works the coffee crowd / Her eyes are dark, just like
mocha java / She turns my insides into molten lava."
"Eric moved to a new apartment, and he told me about a new
coffee shop he went to," Caglarcan explained. "He liked
the lovely ladies that worked there. That got me thinking about
the one I used to go to. There was a beautiful girl working there,
and that's why I went there. I wasn't even a coffee drinker at
the time."
On a quirkier note, Caglarcan said that The Cautions' bass player
Matt Boynton works at the Charles Street Starbucks in Boston.
"His co-workers have a special enthusiasm for music because
some of the employees there play in bands. They've talked about
organizing a concert for these bands to play. If they do it at
Starbucks, it will have to be an acoustic thing."
Barao's song "Out of Print" discusses the perennial
problem of losing personal items to one's former lover after
getting tossed out of someone's life. "It was my way of
expressing feelings I had about a break-up I went through with
an ex-girlfriend. Not getting stuff back is a fashionable topic
about break ups," the singer said. "It was a way I
could talk about without bringing my own feelings into it, since
everybody can relate to the part of stuff left behind, which
is quite often done intentionally."
Barao's fascination with pop-rock music from the 1980's lead
him to purchase a Roland SH-101 synthesizer. That instrument
makes up a lot of the melody and texture on The Cautions' debut
album.
"I'm a huge fan of The Cars. I definitely wanted us to have
a Cars-like sound," he began. "I've been into synthesizers
since 1983 because I like the idea of building sound out of nothing
but soundwaves. I also like (the Roland SH-101) because I can
strap it on like a guitar. I'm on a personal crusade to make
that cool again. My Roland is monophonic. It can only play one
note at a time. That forces me to stay focused on writing a strong
melody. We just bought a second synthesizer. We'll soon have
more sounds at our disposal."
Caglarcan likes the synthesizer because it can add extra pop
texture but still let the guitars dominate the sound. "It's
fun and it sounds different. There's an early 80's thing coming
back. It hasn't hit Boston yet, but it's in California right
now. In England there's a Skinny Tie movement. They're wearing
those skinny ties like bands of the 80's."
The 28 year old Barao also grew up on the sounds of hardcore
bands like Black Sabbath and punk rock outfits like Black Flag.
"After hearing The Cars, I became a devotee of 80's pop-rock,"
he said.
Barao confidently allows much of the credit for The Cautions'
sound to Caglarcan. He relies on his collaborative efforts with
his lead guitarist to bring even greater melody and lyrical punch
to the mix.
"We have always known we wanted to play in a band together,"
Barao explained. "We were both into punk and hardcore stuff
like The Connells and The Rain Dogs, obscure stuff. We knew we
could get along with each other. Jeff is also into western swing
and rockabilly. His guitar playing has some of that in it. That's
cool, because Elliott Easton of The Cars had countrified licks.
Usually one of us comes in with the lyrics, and the other will
put music to it. We have shared ideas."
Caglarcan says it is fun to be in a band with an old friend instead
of having the business type relationships of other bands. "Eric
is a real Renaissance Man," he exclaimed. "He writes
songs. He writes music. He's a graphic artist. He's also a website
designer. His main instrument used to be piano. He used to play
bass for January, my old band. We used to talk about putting
our own band together, but I used to think he was never going
to do it."
Caglarcan sites Fountains of Wayne as influences. He also said
Barao has influence over him. During February of last year Barao
and Caglarcan decided to form The Cautions after knowing each
other for ten years. They met as students at Berklee, and they
often bumped into each other on the scene.
"Jeff had played with January for a number of years. When
January started to disband, we saw an opportunity to work together
musically. We knew each other at Berklee, and I used to fill
in for their bass players. Their bass players were like the drummers
in Spinal Tap, they kept leaving and needed to be replaced. We
always got along so well. Chris, our drummer, used to play with
January for a time."
Caglarcan praised Newbern, saying he has "good pop sensibility.
Chris is a good drummer. People don't always think of the drummer
as being melodic. Chris sings too. He sings a harmony line on
'Coffee Shop Girl' that made it sound much better. He was the
one who came up with it."
Because Barao has roots in Providence Rhode Island, the band
has been able to build up a fan base in both Providence and the
Hub. "I'm the only one of the guys from Providence. I lived
in Boston during the 80's. I grew up in Providence," Barao
said. "It helps to have a following in both cities. It keeps
the press excited about us in both places. Newspapers won't write
about you unless your local to their paper because everybody
wants to read about their own people.?
"It's controversial sometimes," Caglarcan admitted.
"Someone in Boston will say we can't write about you because
you're from Providence. Other times a writer in Providence will
say we can't cover you because you're a Boston band. Eric used
to live in Boston but he moved back to Providence three years
ago. We rehearse the band in Boston. Eric drives up here every
week for rehearsals. He's putting a lot of miles on his car.
Eric goes to clubs in Providence. He's very active in Providence.
Sometimes we get coverage in both. WFNX which is a Boston radio
station will play us on their Providence affiliate. It's called
the FNX Radio Network."
The double following has contributed to The Cautions success,
since there is not a lot of people who will travel to both cities
to see a band. Locals come out to see them in both towns. Influenced
by The Cars, Fountains of Wayne, The Beatles, Elvis Costello,
as well as local bands like Bleu, Hot Rod Circuit, and Ultimate
Fake Book, Barao has spent the last 10 years seeing four bands
a week.
"You take what you can from each, and you see what works
and what doesn't work." the singer attested. "We'll
try anything that gets people talking about your band. We do
all sorts of things. I put lights on my guitar cord. Those lights
make a great conversation piece out of your band."
The Cautions are actually and experimental band. The play with
soundwaves. They toy with stage gimmicks. They indulge in humor.
A new band on the scene, The Cautions need only to find a niche
for their 1980's-based musical style. Or perhaps a time machine.